AUDIO TECHNOLOGY ARTICLES

From time to time i write an article for Audio Techology magazine - pdfs of these ON THE BENCH articles can be found below. Remember these are just a small snippet of a great pro audio magazine - subscribe now!


AT issue 51 VU Meters "It is this response time that’s responsible for the VU meter’s characteristic display of audio ‘volume’ rather than the peak level. An analysis of a VU meter’s characteristic would show that it is integrating the audio waveform, in a sense, adding up the area drawn out by the shape of the waveform."
AT issue 53 Impedance "One of those terms we often come across in the audio world is the word Impedance, often quoted as one aspect of a piece of equipment’s technical specifications. Typically quoted is a unit’s input impedance and output impedance. So, what is it and what does it mean?"
AT issue 54 DIY Repair "The question ‘why does my equipment break down when I need to use it?’ is one that’s regularly posed to me by my clients. My usual response is: ‘If you don’t use something it won’t break, and therefore if you do use it, it will break.’"
AT issue 55 Transformers "How then does all this relate to transformers? Well, audio transformers have some easily quantifiable qualities and in exploring these qualities we can find some particular characteristics that may just be the key to generating some of this so-called ‘warmth’."
AT issue 57 Decibels "There’s no denying that a certain lack of technical understanding of equipment specification and calibration exists within the audio industry today. So this issue I thought I’d have a crack at outlining some of the common terms of technical specification ...."
AT issue 57 .... the 'missing bit'! due to a layout error a section of the article fell off the page
this is the 'missing bit'
AT issue 58 Microphones "While we can emulate all sorts of instruments with quite good results these days, until someone comes up with a 'plug-in vocalist' we will at least require microphones for recording the voice. The human voice with which we have an innate familiarity is often the greatest test of a microphone's characteristics, strengths and deficiencies."
AT issue 61 Preamps "Probably the most common microphone preamp topology found today utilises a simple pair of transistors implemented with variable gain feeding an IC operational amplifier. With good low-noise transistors running with variable gain in Class-A, and an Integrated Circuit (IC) op-amp, a microphone preamp can be built for a couple of dollars."
AT issue 62 Equalisers "Probably the most ubiquitous equaliser on the planet is the humble bass and treble control found on almost every hi-fi amplifier. Almost without fail, this equaliser will be based on the original design by Peter Baxandall."
AT issue 63 Electrical Safety "While there are countless factors that contribute to providing a safe work place, one in particular that naturally catches my eye is electrical safety. So for this issue, let’s put aside the excitement of learning what’s going on behind the front panels of your outboard rack, and focus our attention on the more mundane IEC socket or mains plug on the rear. Occupational Health and Safety (OH&S) mightn’t sound like a fun topic, but it applies to anyone who works in the audio industry for money."
AT issue 64 Studio Wiring "Studio wiring is one of those tasks that should be so straightforward and predictable that we could happily and confidently leave it till the last phase of a studio’s construction. Unfortunately, this is not the case. Wiring a studio takes planning and skill, yet it still remains one of the most neglected and misunderstood aspects of studio construction."
AT issue 65 The life of a Tech "This issue I thought I’d bring you over to my side of the bench, so you can see what it’s like.
Don’t touch anything now, its dangerous back here."
AT issue 66 Compressors "The design topology of compressors directly impacts
on the characteristics they impart to the audio passing through. Some have a greater impact than others even when no gain reduction is occurring."
AT issue 68 Compressors
- the Sidechain
" ... before we examine the myriad control possibilities of a compressor, let’s pause for a moment and consider how many controls such a device can successfully live without. The LA-2A, for example, is perhaps one of the most successful (and highly prized) compressor/limiter designs of all time, yet it has only two controls… well three, if you include the limit/compress switch, which, in many situations, appears to do nothing at all."
AT issue 70 DIY "By all means push the envelope; after all, one of the good reasons for embarking on DIY is to gain knowledge and an understanding of what’s going on behind the knobs. However, it’s equally important to make sure the job’s achievable."
AT issue 71 Amplifiers "Ultimately, amplifier performance hinges on the overall design, whether Class-A,
Class-AB, valve, transistor or FET, the synergy of the combination of the
individual parts and how feedback is employed determines an amplifier’s sonic
stamp."
AT issue 73
NEVE 51
coming soon
AT issue 75
Hearing
"Hearing loss is a significant social and health issue and some believe the increasing use of ear buds and headphones is likely to exacerbate the issue in the future."
AT issue 76
Troubleshooting
"Efficient and effective troubleshooting is as much an attitude as it is a skill. It requires a logical and ordered approach that is best supported by the foundations laid down in the organisation and order of your studio or equipment setup."

AT issue 78
DIY Monitor Controller

"If your studio monitoring is currently managed by something you inherited from your brother’s ’80s Dick Smith hi-fi, isn’t it high time you faced the music and found a more accurate means of listening to your system?"
AT issue 79
iThing
"Faffing around with cables, adapters and cranking volume controls back and forth between selections of different sources can easily be avoided by correctly interfacing with any iThing that may come through the door"
AT issue 80
What's that noise?
As a teenager I’d spend hours sitting in front of the family’s old gramophone (yes it had tubes) playing Led Zeppelin records. My dad would walk in yelling: “what the hell is that noise?” I wish I’d known enough back then to say – as I lifted the needle of the record – “I think that’s shot noise in the !rst preamp tube!”
AT issue 81
DIY PADS
The pad is one of the most obvious of audio control functions: flick the switch and the signal level drops by the prescribed amount; flick it again and the signal is restored. Here we’ll explore why we need them, how to design them and importantly how you can build your own.
AT issue 82
Capacitors
Here on the workbench there’s one electronic component above all others that I deal with on a daily basis. Whether I’m refurbishing an old ’50s tube limiter, repairing console channel strips or hunting down an intermittent crackle in a microphone, capacitors are typically the star of the show, infamous for causing a broad range of faults in all sorts of audio equipment.